Today I picked up the new Nikon AF-S Zoom-Nikkor 70-200mm f/2.8G ED VR II lens that I have been waiting for since July 2009. So far I'm pretty impressed.
This is a little vibration reduction comparison that I did tonight standing in my front yard.
Nikon D300, ISO500, Nikon AF-S Zoom-Nikkor 70-200mm f/2.8G ED VR II, handheld standing
(all images straight-out-of-the-camera, with minor cropping / straightening in photoshop)
CLICK ON THUMBNAILS FOR LARGER IMAGES
70mm, 1/15, VR on
70mm, 1/15, VR on, 100% crop of previous image
70mm, 1/15, VR off
70mm, 1/15, VR off, 100% crop of previous image
200mm, 1/15, VR on
200mm, 1/15, VR on, 100% crop of previous image
200mm, 1/15, VR off
200mm, 1/15, VR off, 100% crop of previous image
Friday, November 27, 2009
Monday, May 18, 2009
3 and 3 Studios Website went live today
After a lot of work, a lot of tweaking, and a lot of procrastinating -- 3 and 3 studios website went live today.
http://3and3studios.com
This is the commercial outlet for my photography.
Incidentally, there is also my artistic website,
http://dmcantrellphotography.com
Thanks for looking!
Dave
http://3and3studios.com
This is the commercial outlet for my photography.
Incidentally, there is also my artistic website,
http://dmcantrellphotography.com
Thanks for looking!
Dave
Friday, April 24, 2009
After reading strobist, I decided to purchase the MPEX Starving Student 2-light Kit. It came via UPS Wednesday. I've taken the next step towards doing portraiture photography in a studio setting.
I got it all set up in a vacant bedroom in my house.
After doing a -lot- of reading, I've come up with a nice little 4-light setup.
Now, each of the 4 lights has it's own purpose. In this configuration I have a main light, a fill light, a background light, and a kicker light.
Main Light : very close to the subject, camera left, using a shoot-thru umbrella.
Fill Light : away from subject, up and camer right (over my shoulder), using a bounce umbrella
Background light : on the floor pointed at the wall, undiffused, using a gobo (gate) to keep light spill off the subject
Kicker light : using a strip-softbox, behind the subject camera right
Main Light:
Fill Light :
Background Light :
Kicker Light :
All Lights :
just for comparison, on-camera TTL flash :
This setup is for a sort-of Rembrandt effect, with the triangle on the subject's cheek. This style of lighting is good for a female subject. I guess it's really closer to "Short lighting" where the main light illuminates the side of the face that is away from the camera.
Here's the setup :
Overall, I'm pretty happy with the MPEX kit. The main thing I wanted out of it was the 2 speedlights and the 2 stands / umbrellas / mounts. I got the Cactus V2 wireless transmitter / receivers as well, but these things are pretty cheap and not extremely reliable. I bought some little optical triggers that work just fine -- you just have to use the on-camera flash to fire everything. I set it way down to 1/128 so that it does not add to the exposure at all.
I was going to try to use the Nikon CLS, but the pre-flashes make my slave strobes go off prematurely so I had to come up with something else. The manual settings are good though because it forces you to learn all this stuff.
I got it all set up in a vacant bedroom in my house.
After doing a -lot- of reading, I've come up with a nice little 4-light setup.
Now, each of the 4 lights has it's own purpose. In this configuration I have a main light, a fill light, a background light, and a kicker light.
Main Light : very close to the subject, camera left, using a shoot-thru umbrella.
Fill Light : away from subject, up and camer right (over my shoulder), using a bounce umbrella
Background light : on the floor pointed at the wall, undiffused, using a gobo (gate) to keep light spill off the subject
Kicker light : using a strip-softbox, behind the subject camera right
Main Light:
Fill Light :
Background Light :
Kicker Light :
All Lights :
just for comparison, on-camera TTL flash :
This setup is for a sort-of Rembrandt effect, with the triangle on the subject's cheek. This style of lighting is good for a female subject. I guess it's really closer to "Short lighting" where the main light illuminates the side of the face that is away from the camera.
Here's the setup :
Overall, I'm pretty happy with the MPEX kit. The main thing I wanted out of it was the 2 speedlights and the 2 stands / umbrellas / mounts. I got the Cactus V2 wireless transmitter / receivers as well, but these things are pretty cheap and not extremely reliable. I bought some little optical triggers that work just fine -- you just have to use the on-camera flash to fire everything. I set it way down to 1/128 so that it does not add to the exposure at all.
I was going to try to use the Nikon CLS, but the pre-flashes make my slave strobes go off prematurely so I had to come up with something else. The manual settings are good though because it forces you to learn all this stuff.
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